Every Day I Discover More And

This exclamation appears in a letter Monet wrote to Frédéric Bazille around 1864, from a coastal Norman location — sources sometimes cite Étretat or Honfleur — where he was painting outdoors with great intensity in his early career. The full passage conveys near-physical intoxication: he writes of a desperate desire to paint everything he sees, with his head bursting from the effort. The letter is one of the earliest windows into the relentless perceptual hunger that characterized Monet's entire practice, decades before he established himself at Giverny.